Singaporean composer TAN Yuting writes music which explores the interaction of different sounds to form unique harmonies and textures. Her music has been recognized with awards including first prize in the Macht Orchestral Composition Competition (2018), first prize in the Virginia Carty DeLillo Composition Competition (2018), and third prize in the Prix d’Été Competition (2017) at the Peabody Institute of the Johns Hopkins University, and has been performed in Singapore, USA, UK, Thailand, New Zealand, and Italy. Past collaborations include performances by the Singapore Symphony Orchestra, Peabody Symphony Orchestra, Tacet(i) Ensemble, Aspen Contemporary Ensemble, Ensemble Dal Niente, Empyrean Ensemble, ~Nois, Alarm Will Sound, Now Hear This, Unassisted Fold, Ensemble Soundinitiative, the Yong Siew Toh Conservatory of Music (YSTCM) New Music Ensemble, and violinist Peter Sheppard Skaerved. Yuting also enjoys working with artists from other fields and creating music in collaboration with other art forms. She has worked with Singaporean poet, Dr. Tan Chee Lay, to create a song cycle about Singapore’s Chinatown. In 2019, she performed her original live score for the USA premiere screening of Chinese film pioneer Shouju Zhu’s 1925 film Stormy Night (Fengyu zhi ye).
Yuting is currently pursuing a PhD in Music Composition at the University of Chicago on a full fellowship from the Division of the Humanities. She also holds Master of Music degrees in Music Composition and Music Theory Pedagogy from The Peabody Institute of the Johns Hopkins University, and a Joint Bachelor of Music Degree in Music Composition with Honours (Highest Distinction), awarded jointly by the Yong Siew Toh Conservatory of Music (National University of Singapore) and the Peabody Institute. Her principal mentors include Augusta Read Thomas, Sam Pluta, Anthony Cheung, Oscar Bettison, and Ho Chee Kong. Apart from composition, Yuting also plays the piano and holds a Diploma of The Associated Board of the Royal Schools of Music in Piano Performance.